(Why yes, I DO love the word "smattering." Why do you ask?)
Overheard:
Emma (to the cat): You are so sweet, Jynx!
Walter: I'm not Jynx!
Middle-East:
Michael Totten has a guest columnist on why we should worry about Iran.
Michael Yon rides with the Queen's Royal Lancers.
Michael Yon writes about the courage and intelligence of one of our commanders in Iraq.
What I'm Reading:
I just finished reading "The Psi Corps Trilogy" by J. Gregory Keyes, from an outline by J. Michael Straczynski. The series covers the early origins of the Psi Corps and details the rise of our favorite psi cop, Alfred Bester, from childhood to head of the Corps. The series is ultimately about Bester--the history is just to set the stage, really. This causes the book to be a bit choppy at times, and it skips over events you really wish it would have detailed.
For example, if you're hoping to find out the gory details of Lyta Alexander's bloody revenge on the Psi Corps, prepare to be disappointed. It's alluded to, but entirely skipped over.
Instead, what we have is a classic Straczynski B5 tale: It's all about choices. The book takes one of the most vile human beings and reminds you that he was just that--a human being. You find yourself almost cheering for Bester, even while he's giving you the creeps. You find yourself hoping that he can find redemption and happiness. What we get is a book that, while not exactly satisfying, fits very nicely within the B5 universe and the Straczynksi morality.
I'm glad I read it, even though I wish I hadn't needed to read the whole thing. But you do, and it's worth it.
Audio Book:
"Pattern Recognition" by William Gibson. I've already read this before, but it's a good story well told. It can be as haunting as the "footage" the story revolves around. It details the story of a free-lance "cool" hunter as she undertakes an international search for the creator of the mysterious but provacative "footage," short video segments that pop up on the internet from time to time and has gathered a devoted following.
The annoying beauty of this book, I think, is that not everything is there for a reason. While some things in the book are interconnected in a nearly impossible--yet somehow believable--manner, other things are just...there. There are loose edges, and the ending seems a bit too elysian, but there's something there that won't let you go until it's done.
Gibson has a gift for descriptive detail--not quite poetic like Ray Bradbury, but evocative and multi-leveled. I should probably buy this book someday so I can study the language. I could learn from Gibson.
Notable Quote:
"I suspect I have spent just about exactly as much time actually writing as the average person my age has spent watching television, and that, as much as anything, may be the real secret here" - William Gibson
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