Japanimaniacs

Last time I visited home my brother loaned me a copy of "Howl's Moving Castle," a feature-length anime movie. I've heard Japanese animation is good, but I wasn't really prepared for this.

There were shots that were downright jaw-droppingly stunning. The attention to detail was masterful. The septh of imagination behind it all was incredible. The plot was a little choppy and hard to follow. There were many more questions than answers. The characters both complex and shallow simultaneously.

But the artwork was...well, artwork. It's as if their pallet included a hue called wonder, and had been on sale that week. There a backgrounds that exceed photographic quality, if that's possible. They manage to be both impressionistic and realistic at the same time. It's the first animated move I'd seen where the backgrounds received more attention and detail and--dare I say it, love--than the characters.

I think that's the difference between Japanime and American mass-market animation these days. When Disney or most any other studio cranks out a feature film everything is wrapped around the action figures. They're ultimately trying to sell toys, so they put all their effort into making the characters marketable.

In this movie, at least, they put their effort into making the characters...part of the world. Disney can't sell a background, so they most of the time don't put any more effort into that than necessary. In "Howl's Moving Castle" you get the feeling that if the characters never existed there would still be more to see and do in this world than you're likely to ever tire of. Hard to explain, perhaps, but nonetheless true.

It's as if the director built the world first, and then found a story to take place in it. You can tell he is in love with the world. Even the war machines and the scenes of destruction are crafted with an unrepentant enthusiasm and love that speaks volumes about not merely accepting the bad and good in life, but that the bad and good ARE life, and continually enhancing one another. Yes, war is a horrible thing, but even the horror and terror are things of beauty.

It's an amazing piece of work. I saw it on a small screen. I think seeing it on a large screen may have made me weep for the sheer, overpowering beauty of it all.

Jean Simmons does a fine bit of vocal acting. She sells her character, and endows it with a sincerity and depth not present in the script. She holds the character/plot aspects of the movie together. It's funny, too, that sexist Japan can create stronger female characters than "enlightened" America. Belle, Jasmine and the "Princess" gang may have Girrrrl Power, but Sophie has more strength and depth and personality in her little finger.

So am I a convert? I don't know. I don't remember if this movie is by the "grand master" my brother tells me about. If it is, I suspect that this movie is an exception rather than a rule. Perhaps more typical feature-length Japanime would disappoint.

But this did not.